Music Review: Destiny's Child "Girl"

Destiny's Child

Girl
Album: Destiny Fulfilled
Year: 2005

In "Girl," Beyonce and Michelle Williams are helping Rowland come to terms about her cheating boyfriend.

Beyonce takes Rowland aside and asks her to sit down with her and Michelle. She's noticed Rowland's been looking down lately. ("Take a minute girl, come sit down/and tell us what's been happening/In your face I can see the pain"). Beyonce is stopping Rowland before she can unconvicingly say that she's in a wonderful relationship. She and Michelle have seen Rowland upset as long as she has been going out with her boyfriend. ("don't you try to convince us that you're happy/we've seen this all before"). Beyonce tells her that she's being used. All of three of them have been close for too long to see one of them end up in an emotionally damaging relationship. ("But he's taking advantage of your passion/because we've come too far/for you to feel alone/you don't let him walk over your heart/I'm tellling you").

In the chorus, Beyonce urges Rowland to not be afraid to cry or say that everything is not ok. She and Michelle are there for her and love her like a sister. They only want the best for her. ("Girl, I can tell you've been crying/and you needing somebody to talk to/Girl, I can tell he's been lying/and pretending that he's faithful and he loves you/Girl, you don't have to be hiding/don't you be ashamed to say he hurt you/I'm your girl, you're my girl, we're your girls/want to know that we love you").

Rowland is in denial about her boyfriend's behavior and defends her relationship with him. According to her, her boyfriend sees her as necessary in his life. His job is causing him to act like a jerk. He gets mean when he's tired and he apologizes to her later for it. She admits she can't handle his emotional abuse and doesn't have the strength to leave him yet. ("See what you all don't know about him/Is I can't let him go because he needs me/It ain't really him, it's stress from his job/and I ain't making it easy/I know you see him bugging on me sometimes/But I know he be tired, he don't mean it/It gets hard sometimes/But I need my man").

Williams tells Rowland to get real and stop blaming herself. Rowland was never depressed with her other boyfriends and has changed since dating the current one ("Girl, take a good look at yourself/He got you going through hell/we ain't never seen you down like this/what do you mean you don't need us to help?/we've known each other too well"). Williams' lyrics sound heavily edited and chopped up (as usual). "Too long" would've fit better instead of "too well."

"Girl" hints at abusive relationships without addressing it specifically. Beyonce is featured promimently, making the "we your girls" line dubious without including Williams. Rowland is confident and defensive in her part. But the hurried pace drags Rowland down as she tries to adjust her vocals. Willliams fares the best. She's sympathetic and natural, despite her screeching at the end. Meanwhile, Rowland and Beyonce have forgotten that snapping and head-bobbing cannot be seen by the listeners.

It's an average effort and much better than "Cater 2 U." However, Destiny's Child aren't into their own music anymore and it shows.



2,417 views 2 replies
Reply #1 Top
I know this will outrage all DC fans, but here goes.

I my mind the music industry has become flooded with boring, factory produced, formulacic crap, based solely on whatr the industry will sell. It has reached a point where most performers now all sound and look the same.
Just take a look at Idol and X Factor. This decade will go down as even more boring than the 1980's. Sadly DC is one of these acts,, Boring boring boring. I know this has little to do with your blog but I just had to say it. Whilist I do believe all should haver equal access to music and an attempt at making it in this industry, I no longerr believe this to be the case, the industry no longrer cares about diversity and talent, it now prefers the look, and particular formulars. If you watch any music program theser days you find diversity no longer exists. When rrap and its variants started to have some prominence in the market, it seemed that there was a new form of music that would bring a more diveres attitude to music, an new genre, instead all we get now are girl and boy bands. , like DC. There are many talented people out there offering many and varied types of music, yet the Big Studio execs no longer wish to look at this as they now only wNT SAFE ACTS, WHICH EQUATES TO A BORING INDUSTRY. No longerr is the industry exciting, rather irt is so boring that I now have returnet to backcatalogue music to rediscover what I may have missed before, and of course the indi industry.
One good thing to come out of this is the movemnent away from the big record companies to independent lables, and self owned lables, lets hope this propels the industry back to earlier days when the record execs where in tune with the music and its listeners, instead of what the TV stations dicatate and the noroins who now run A&R dictate. I should add I do not intend to denegrate you musical tastes, just having a big gripe.
Reply #2 Top
You've got my first insightful for the day, zergimmi.

I'm finding I'm going back to 80s music to find some groups that I can enjoy. I can't get into much of the current music at all. I like a small bit of it but a majority I could do without.

You're right. Music with substance isn't being marketed anymore. I read that Fiona Apple's new CD was shelved by Sony because they didn't think they could sell it. A majority of fans have resorted to online leaks to hear it, which according to the industry, is against the law and hurts the artist. In reality, it's the fans who are interested in hearing it who are being hurt. From what I've read, the fans do actually want a physical copy of the album and not the mp3's.